Explore our collection of Italian lighting, handmade by our maestri, imbued with the soul of traditional craftsmanship.
COLLECTIONS
THE PERI
Tuscany has its own distinct glass tradition deeply rooted in craft, quieter than Murano's. Dating back to the 12th century, the first glass pieces of Tuscany were carafes, apothecary vessels and perfume bottles that supplied the Florentine market for centuries. Italian glass perfume bottles have a history through the Renaissance where glassmakers dominated, producing bottles for European courts that were as much of a collectible object as container.
The Peri collection recalls an Florentine apothecary vessel, the way an old perfume bottle holds its stopper. Inspired by the story of the world's oldest apothecary and one of the best kept secrets of the Renaissance city.
THE SONA
Tuscany has its own distinct glass tradition deeply rooted in craft, quieter than Murano's. Dating back to the 12th century, the first glass pieces of Tuscany were carafes, apothecary vessels and perfume bottles that supplied the Florentine market for centuries. Italian glass perfume bottles have a history through the Renaissance where glassmakers dominated, producing bottles for European courts that were as much of a collectible object as container.
The Sona collection recalls an Florentine apothecary vessel, the way an old perfume bottle holds its stopper. Inspired by the story of the world's oldest apothecary and one of the best kept secrets of the Renaissance city.
THE LUCCA
Our alabaster is a result of millions of years of natural formation in Northern Italy. Skillfully turned from solid stone by our maestri, the elongated alabaster shades hang from straight or draped, handmade brass chain links of varied length. The distinct pattern on each light fixture is shaped by the inherent qualities of the stone itself, brought to life through the expert use of traditional stone-carving techniques with roots dating back to 1895. The pattern is record of its 6 million year journey to you. Impossible to predict.
THE TRENTO
Suspended alabaster globes, nestled in a protective brass ring, repeat between delicate handmade, hand-finished chain links give the impression that they are moving in rhythm, adding a cadence to their surroundings.
Inspired by Josef Hoffman and the Wiener Werkstatte, a group of artists and craftsmen working together to create "Gesamtkunstwerk."
THE RHO
There is a gravity to Italian stone. The Rho collection is a balance of restraint and presence, composed in deliberate row. It values patience and proportion, suspended with intention. Installed alone, it reads as a jewel in space. In a quiet row, it is a composition without excess. The effect is deeply refined without announcing itself.
THE NOVA
The sister collection to Domo, Nova incorporates a range of proportions in a single volume. Its design, using both artisanal craft and modernism, is a nod to 1920’s Art Deco. A pivotal movement for the material of alabaster and craftsmanship thanks to the iconic Pierre Chareau. The layered pieces of hand-carved alabaster form a dynamic sculptural relief through shadows.
THE LASTRA
Our nod to Louise Nevelson, an American sculptor known for her monumental, monochromatic, wooden wall pieces. The layered pieces of hand-carved alabaster create shadow through a dynamic sculptural relief. Inspired by the floor of our stone yard in Northern Italy, filled with alabaster remnants.
THE PORTA
The ancient Etruscans used alabaster for its beautiful coloration, natural veining, and luminous effects when held up to the light. This one-of-a-kind Italian alabaster dome, skillfully turned by master. artisans, celebrates centuries-old traditional Italian stone-carving methods. Bridging past and present.
