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CY
TWOMBLY

Born: April 25, 1928, Lexington, VAD

Died: July 5, 2011 (age 83 years), Rome, Italy

Period: Abstract expressionism
Influenced by: Ancient classical antiquity, literature, poetry.

Cy Twombly was a North American artist who spent much of his career in Italy. 

 

Italy became central to his artistic life, revealing another language through sculpture. One little known and one deeply connected to ancient Rome, classical architecture, mythology, and the passage of time.

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The Domo Chandelier

by Orphan Work 

From 1946 onward he made hundreds of rarely exhibited found-object assemblages.

 

Two cardboard tubes, originally intended to protect rolled drawings, stacked vertically and joined with paper-mâché and tape. Coated in habitual white house paint, the slender form took on the appearance of a classical Roman column. Its proportions suggested permanence, while its hollow interior and modest construction revealed something entirely ordinary.

 

This contrast became central to his sculptural language and the ability to evoke monumentality without relying on precious materials or elaborate forms.

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​​Twombly continued exploring these columnar compositions through subtle variations in height, diameter, proportion, and surface. 

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Between 1976 and 1977, he produced a series of related works, each sharing a common architectural language while retaining its own individuality. The marks of construction, uneven brushstrokes, and irregular surfaces were never entirely concealed. For Twombly, repetition was not simply reproduction, but an opportunity to revisit a familiar form and discover something new. His sculptures demonstrated how the smallest differences in proportion and material could transform the character of an object.

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​There is a particular beauty in Twombly's ability to give ordinary materials the presence of something ancient. His sculptures invite us to reconsider what makes an object enduring—not necessarily its material value, but its proportions, physical character, and relationship to history.

 

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DOMO

A nod to Cy Twombly’s columnar sculptures, where subtle variations in proportion created a language that existed somewhere between Roman classicism and modernity. 

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